1 Effect Commands
- 1.1 Recording and Editing Effect Commands
- 1.2 Effect Listing
- 1.3 Entering Multiple Digit Values with the Computer Keyboard
- 1.4 Effect Examples
- 1.5 Effect Commands Quick Reference Card
Effect Commands are used in the Pattern Editor and Phrase Editor to perform a variety of tasks, from changing the volume of a single note, to automating the parameters of Track Effects, or controlling the song during playback. They also allow various direct manipulations of sample audio, which can only be done via Effect Commands and is a major feature that differentiates trackers from other DAWs. Examples include: starting the playback of a sample from the middle (S effect), then playing it in reverse (B effect), panning it fully to the left (pan column), then retriggering the waveform at its current position (R effect in the pan column) while simultaneously gliding to another note one octave down (G effect). All this can be easily and precisely achieved with Effect Commands.
You may find it useful to watch our 9-part "Effect Commands" video series, which provides explanations and demonstrations on this subject.
Recording and Editing Effect Commands
Values are entered using the row of numbers above the letters on the keyboard, not the number-pad, which is reserved for quickly switching between instruments in the Instrument Selector. Entering a value will place it at that exact digit in the column. For example, if you are at the first digit in the Volume column and press '4', the value will become '40'. If you want the value to be '48', then move the cursor over to the second digit using the arrow keys and press '8' there.
When recording an effect column value, the cursor automatically moves down to the next line. If you want the cursor to advance to the right instead, hold "Left Shift" while entering the values.
Many Effect Commands make use of 'ticks', so it's important to understand how they are interpreted:
- A pattern/phrase is divided into lines where you can place effects and notes.
- Each line is further divided into ticks, which is a 12th of a line by default. In Renoise, this tick fraction is configurable with the Ticks Per Line parameter in the Song Options.
Renoise only - The playback and interpolation of Graphical Automation is also calculated at the tick rate.
Ticks vs. Note Delays
As shown above, note columns have a delay sub-column, which lets you delay the note to the left of it on the same line. These delays do not use ticks, but instead always divide a line into 256 slices.
- xx and xy are place-holders whose meanings are explained in the Effect Command descriptions. They should be replaced with values to create an effect. xx means both digits are one whole value. xy means that the x and y are separate values.
- All values shown below are Hexadecimal.
- Similar effect styles are highlighted with the same colour (e.g. pitch up, down and glide are all red, though the exact colour depends on the current interface Theme).
- When typing commands into the pattern/phrase, a helpful summary about them will appear in the Lower Status Bar.
- The U, D, G, V, I, O, T and N commands will repeat the last valid value if a value of 00 is used. This way you can quickly enter a series of commands without having to continually type the exact value.
- You can use the small FX drop down menu as both a quick reference and an easy method of inserting commands: For phrases, this is found in the Phrase Editor options. For the Pattern Editor, this is in the control panel the bottom of the editor.
- We also have an Effect Command reference card available for download, available in four different versions:
Local & Master FX Effect Columns
- -Axy - Set arpeggio, x/y = first/second note offset in semitones. Using 0 for x or y will use the original note.
- -Uxx - Slide pitch up by xx 1/16ths of a semitone (01 is 1/16th of a semitone, 08 is half a semitone, 10 is a whole semitone).
- -Dxx - Slide pitch down by xx 1/16ths of a semitone (01 is 1/16th of a semitone, 08 is half a semitone, 10 is a whole semitone).
- -Gxx - Glide towards given note by xx 1/16ths of a semitone (01 is 1/16th of a semitone, 08 is half a semitone, 10 is a whole semitone). A value of FF will make the slide instant.
- -Vxy - Set vibrato (regular pitch variation), x = speed, y = depth.
- -Ixx - Fade volume in by xx volume units (-I01 inserted 256 times will slide from 0 to full volume, -I7F inserted twice will do the same much faster).
- -Oxx - Fade volume out by xx volume units.
- -Txy - Set tremolo (regular volume variation), x = speed, y = depth.
- -Cxy - Cut volume to x after y ticks (x = volume factor: 0=0%, F=100%).
- -Sxx - Trigger sample slice number xx or offset xx.
- -Bxx - Play sample backwards (xx = 00) or forwards (xx = 01).
- -Exx - Set the position of all active Envelope, AHDSR, Fader and Stepper Modulation devices to offset xx.
- -Nxy - Set auto pan (regular pan variation), x = speed, y = depth.
Sample Command Variations (Renoise only)
- -Sxx - Trigger phrase from line xx.
- -Bxx - Play phrase backwards (xx = 00) or forwards (xx = 01).
- -Ixx, -Oxx, -Txy - Will also affect the volume of any Plugin or MIDI playing in the phrase.
- -Mxx - Set channel volume level, 00 = -60dB, FF = +3dB.
- -Zxx - Trigger phrase number xx (01 - 7E, 00 = no phrase, 7F = keymap mode).
- -Qxx - Delay playback of the line by xx ticks (00 - TPL).
- -Yxx - MaYbe trigger the line with probability xx. 00 = mutually exclusive mode (will trigger only one note on this line, where the chance of triggering is inserted into the Local FX column, or the volume or panning column using Yx).
-Rxy - Retrigger instruments that are currently playing. This is done every y ticks with volume factor x applied to each retrigger, where x represents:
- 0 - No volume change
- 1 - Lower volume by 3%
- 2 - Lower volume by 6%
- 3 - Lower volume by 12%
- 4 - Lower volume by 25%
- 5 - Lower volume by 50%
- 6 - Cumulatively lower volume by 33%
- 7 - Cumulatively lower volume by 50%
- 8 - No volume change
- 9 - Raise volume by 3%
- A - Raise volume by 6%
- B - Raise volume by 12%
- C - Raise volume by 25%
- D - Raise volume by 50%
- E - Cumulatively raise volume by 50%
- F - Cumulatively raise volume by 100%
- -Lxx - Set track pre-mixer's volume level, 00 = -INF, FF = +3dB.
- -Pxx - Set track pre-mixer's panning, 00 = full left, 80 = center, FF = full right.
- -Wxx - Set track pre-mixer's surround width, 00 = off, FF = max.
- -Xxx - Stop all notes and FX (-X00), or a specific effect (-Xxx, where xx > 00).
- -Jxx - Set track's output routing to channel xx, 01 upwards = hardware channels, FF downwards = parent groups (00 is the master track, 01 is the first soundcard output channel and FF is the closest parent group track).
You can also change any Track Effect parameter with Effect Commands by using the first digit to target a specific device in the effect chain:
- xyzz - x is the xth device in the effect chain, y is the yth parameter in the device. For example: if you have a Distortion device as the first effect in the chain, then 13FF will set the Distortion's Tone parameter to the maximum value (1 = Distortion device (the first effect), 3 = Tone (the third parameter), FF = maximum value).
You can also enable and disable specific effect devices with the following commands:
- x000 - Turn effect x off.
- x001 - Turn effect x on.
Moving a device's slider will also show the Effect Command in the Lower Status Bar. Right-clicking a slider will automatically record the parameter changes into the track's Master FX Column when pattern Automation recording mode is set record into the pattern.
Only applies to the Renoise Pattern Editor. These commands control the song during playback.
- ZTxx - Set tempo (BPM) (20 - FF, 00 = stop song)
- ZLxx - Set Lines Per Beat (LPB) (01 - FF, 00 = stop song).
- ZKxx - Set Ticks Per Line (TPL) (01 - 10).
- ZGxx - Toggle song Groove on/off (00 = turn off, 01 or higher = turn on).
- ZBxx - Break pattern. The current pattern finishes immediately and jumps to next pattern at line xx (hex).
- ZDxx - Delay (pause) pattern playback by xx lines.
- 00-7F - Set note volume/velocity where 00=minimum and 80=maximum. This can also be used for polyphonic after-touch in VST/MIDI instruments that support it.
- Ix - Volume fade in in the current note column, with step x*10 (I1 = -I10 in effect column, I2 = -I20, etc.)
- Ox - Volume fade out in the current note column, with step x*10 (O1 = -O10, O2 = -O20, etc.)
- 00-80 - Set panning of current note column: 00 = full left, 40 = center, 80 = full right.
- Jx - Panning slide left with step x (0 - F).
- Kx - Panning slide right with step x (0 - F).
Volume or Panning Column
- Ux - Slide pitch up by x semitones.
- Dx - Slide pitch down by x semitones.
- Gx - Glide towards given note by x semitones. A value of F will make the slide instant.
- Cx - Cut the note after x ticks (0 - F).
- Bx - Play sample in the current note column backwards (0 is backwards, 1 is forwards again).
- Qx - Delay a note by x ticks (0 - F).
- Yx - MaYbe trigger note with probability x.
- Rx - Retrigger a note every x ticks (0 - F).
Note: The panning/volume Rx version of retrigger does not restart the sample from the beginning, while the -Rxy effect command does. This behaviour is intended to give you a choice of two different retrigger modes.
00-FF - The delay column can only be used to delay a note or Note-Off, where 00 is no delay and FF will result in the note being delayed until immediately before the next line. For example:
40 - 25% delay
80 - 50% delay
C0 - 75% delay
- 40 - 25% delay
Renoise only. With Mx in the right-most panning column and a valid instrument number next to it, you can send MIDI commands via Effect Commands in the format xxyy. For example:
--- 0A M0 -17F -> Will send to the MIDI or Plugin instrument number 0A, a controller change number of 1 and a value of 7F
- M0 - Controller change message, xx = controller number, yy = controller value.
- M1 - Pitch bend, xx = main value, yy = fine-tune value.
- M2 - Program change, yy = program number (00 - 7F).
- M3 - Channel pressure (monophonic after-touch), yy = pressure amount.
Note: Insert the Mx MIDI commands in the panning column of the right-most note column. MIDI commands show a different syntax colour than when they function as panning values and a -000 value is automatically filled in on the effect column.
Take care that you also add the instrument number, so that Renoise knows which MIDI instrument the command will be targeting.
Entering Multiple Digit Values with the Computer Keyboard
By default, when entering values with the computer keyboard, a single digit value will be placed and the cursor will immediately move down within the Pattern Editor (by the number of lines specified by the Edit Step). If you want to enter multiple digit values in a single line without this occurring, this can be achieved by holding down "Left Shift" while entering the values. This works individually with the Volume, Panning, Delay and each of the Effect columns.
Some very basic sample command examples to get started:
1. Pitch slide up -Uxx: Sound file (mp3)
From line 00 to 07, the sample is pitched up at a constant rate of 20 (hexadecimal notation), where 00 means "repeat the previous value".
2. Glide to note -Gxx: Sound file (mp3)
The first note is played at C-4. At line 04 the pitch rises at a constant rate of 20 (hexadecimal notation) towards A-4. Once the glide reaches reaches the desired pitch of A-4, subsequent G commands are ignored.
1. Original Loop: Sound file (mp3)
2. Sample offset -Sxx: Sound file (mp3)
The offset command works by splitting a sample into 256 equal parts. The larger the sample, the more inaccurate this command will be. As the range of values is 00 to FF, -S80 plays the sample from halfway through and -S40 plays the sample from one quarter of the way through.
3. Retrigger note Rx: Sound file (mp3)
This effect replays the sample very quickly at its current position in the waveform playback. x sets how many ticks to count before retriggering the sample again. By default, there are 12 ticks per line. Setting R4 will retrigger a sample 3 times per line (12÷4=3).
4. Reverse sample B0, B1: Sound file (mp3)
B0 plays the sample backwards from that point. B1 resumes normal playback.
Here are two techniques for programming a delay:
2. Using the Delay Column: The Delay Column divides a line into 256 equal parts and so is much more precise than ticks. Use this column to get more accuracy.
Effect Commands Quick Reference Card
We also have an Effect Command reference card available for download, available in four different versions: