Sampler - Revision history

Achenar at 22:18, 1 December 2025

2025-12-01T22:18:56Z

← Older revision		Revision as of 22:18, 1 December 2025
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	[[Image:3.5_sampler-macrosfull.png]]		[[Image:3.5_sampler-macrosfull.png]]

	Pressing the [[Image:3.2_sampler-macros.png\|text-bottom]] button at the top-left of the interface will open a panel with eight macros, each of which can be assigned to multiple parameters. To map a macro, press the [[Image:3.2_sampler-macrosmap.png\|text-bottom]] button next to it. This opens the mappings list and highlights any mappable parameters (shown here as green, but the highlighted ~~colour~~ may vary according to the [[Preferences#Theme\|current interface Theme]]). Clicking on a parameter will add it to the list and allow you to specify its Min/Max values and Scaling. Now altering the value of a macro will change the values of all assigned parameters.		Pressing the [[Image:3.2_sampler-macros.png\|text-bottom]] button at the top-left of the interface will open a panel with eight macros, each of which can be assigned to multiple parameters. To map a macro, press the [[Image:3.2_sampler-macrosmap.png\|text-bottom]] button next to it. This opens the mappings list and highlights any mappable parameters (shown here as green, but the highlighted color may vary according to the [[Preferences#Theme\|current interface Theme]]). Clicking on a parameter will add it to the list and allow you to specify its Min/Max values and Scaling. Now altering the value of a macro will change the values of all assigned parameters.

	Clicking the X at the right of a mapping will delete it. Closing the mappings list removes the parameter highlighting and returns the interface to normal again. To rename a macro, just click on its name and type one in, finishing with Enter.		Clicking the X at the right of a mapping will delete it. Closing the mappings list removes the parameter highlighting and returns the interface to normal again. To rename a macro, just click on its name and type one in, finishing with Enter.

Achenar at 21:53, 1 December 2025

2025-12-01T21:53:32Z

← Older revision		Revision as of 21:53, 1 December 2025
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	* Adding various [[Effects]] to samples greatly expands the possibilities of their sound beyond the original audio.		* Adding various [[Effects]] to samples greatly expands the possibilities of their sound beyond the original audio.

	[[Libraries#Specific Preset Types\|Specific preset types]] for each of these sections are available from a [[Libraries#Specific Preset Types\|drop-down menu at the top right corner]], where you can load, save, import and export.		[[Libraries#Specific Preset Types\|Specific preset types]] for each of these sections are available from a [[Libraries#Specific Preset Types\|drop-down menu at the top-right corner]], where you can load, save, import and export.


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	== Sample Properties ==		== Sample Properties ==

	Directly under the Sample List, the properties of the currently selected sample(s) are displayed. The [[Image:3.0_downclose.png\|text-bottom]] button at the top right toggles the opening and closing of this section.		Directly under the Sample List, the properties of the currently selected sample(s) are displayed. The [[Image:3.0_downclose.png\|text-bottom]] button at the top-right toggles the opening and closing of this section.

	[[image:3.5_sampler-sampleproperties.png]]		[[image:3.5_sampler-sampleproperties.png]]
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	[[Image:3.5_sampler-macrosfull.png]]		[[Image:3.5_sampler-macrosfull.png]]

	Pressing the [[Image:3.2_sampler-macros.png\|text-bottom]] button at the top left of the interface will open a panel with eight macros, each of which can be assigned to multiple parameters. To map a macro, press the [[Image:3.2_sampler-macrosmap.png\|text-bottom]] button next to it. This opens the mappings list and highlights any mappable parameters (shown here as green, but the highlighted colour may vary according to the [[Preferences#Theme\|current interface Theme]]). Clicking on a parameter will add it to the list and allow you to specify its Min/Max values and Scaling. Now altering the value of a macro will change the values of all assigned parameters.		Pressing the [[Image:3.2_sampler-macros.png\|text-bottom]] button at the top-left of the interface will open a panel with eight macros, each of which can be assigned to multiple parameters. To map a macro, press the [[Image:3.2_sampler-macrosmap.png\|text-bottom]] button next to it. This opens the mappings list and highlights any mappable parameters (shown here as green, but the highlighted colour may vary according to the [[Preferences#Theme\|current interface Theme]]). Clicking on a parameter will add it to the list and allow you to specify its Min/Max values and Scaling. Now altering the value of a macro will change the values of all assigned parameters.

	Clicking the X at the right of a mapping will delete it. Closing the mappings list removes the parameter highlighting and returns the interface to normal again. To rename a macro, just click on its name and type one in, finishing with Enter.		Clicking the X at the right of a mapping will delete it. Closing the mappings list removes the parameter highlighting and returns the interface to normal again. To rename a macro, just click on its name and type one in, finishing with Enter.

Achenar at 20:17, 9 July 2025

2025-07-09T20:17:40Z

← Older revision		Revision as of 20:17, 9 July 2025
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	** '''PingPong:''' Loop playback from start to end to start to end etc.		** '''PingPong:''' Loop playback from start to end to start to end etc.
	* '''Mute Group:''' Samples which are assigned to the same Mute Group will ''"Cut"'' each other off in the same [[Pattern Editor#Tracks\|track]]. A sample's Mute Group number is also displayed to the left of its name in the Sample List. Useful for drum kits built within a single instrument, since different samples of the same drum can realistically interrupt each other without interfering with the others. Our [https://youtu.be/q2IuyBehL7E video tutorial] goes into more detail.		* '''Mute Group:''' Samples which are assigned to the same Mute Group will ''"Cut"'' each other off in the same [[Pattern Editor#Tracks\|track]]. A sample's Mute Group number is also displayed to the left of its name in the Sample List. Useful for drum kits built within a single instrument, since different samples of the same drum can realistically interrupt each other without interfering with the others. Our [https://youtu.be/q2IuyBehL7E video tutorial] goes into more detail.
	* '''NNA:''' New Note Action. When a note is in the process of playing and a new note is played in the same [[Pattern Editor#Columns\|column]], NNA dictates how the previous note will behave. By default, samples will be set to ''"Note-Off"'', which stops the note and triggers any [[Playing_Notes_with_the_Computer_Keyboard#Note_Off\|Note-Off actions]]. ''"Cut"'' will also stop the note's playback, but doesn't trigger [[Playing_Notes_with_the_Computer_Keyboard#Note_Off\|Note-Off actions]], instantly silencing it. To achieve polyphony you normally just use multiple [[Pattern Editor#Columns\|note-columns]], but by setting the NNA to ''"Continue"'', you can create the sustained playback of multiple notes using a single column. You may find it useful to watch [https://youtu.be/~~n5QGreldOzo~~ our video covering both Note-Off and NNA].		* '''NNA:''' New Note Action. When a note is in the process of playing and a new note is played in the same [[Pattern Editor#Columns\|column]], NNA dictates how the previous note will behave. By default, samples will be set to ''"Note-Off"'', which stops the note and triggers any [[Playing_Notes_with_the_Computer_Keyboard#Note_Off\|Note-Off actions]]. ''"Cut"'' will also stop the note's playback, but doesn't trigger [[Playing_Notes_with_the_Computer_Keyboard#Note_Off\|Note-Off actions]], instantly silencing it. To achieve polyphony you normally just use multiple [[Pattern Editor#Columns\|note-columns]], but by setting the NNA to ''"Continue"'', you can create the sustained playback of multiple notes using a single column. You may find it useful to watch [https://youtu.be/KKrpM5inZPk our video covering both Note-Off and NNA.]

	* '''Playback'''		* '''Playback'''
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	Macros allow for powerful handling and automation of an instrument's [[Modulation]] and [[Effects]] parameters. In Renoise this is controlled with the [[Meta Devices#Instrument Macros\|Instr. Macros]] track effect, while Redux uses the options available within its host DAW.		Macros allow for powerful handling and automation of an instrument's [[Modulation]] and [[Effects]] parameters. In Renoise this is controlled with the [[Meta Devices#Instrument Macros\|Instr. Macros]] track effect, while Redux uses the options available within its host DAW.

	You may find it useful to watch our [https://youtu.be/7bXxROQAPhE video on this subject].		You may find it useful to watch our [https://youtu.be/7bXxROQAPhE video on this subject.]

	[[Image:3.5_sampler-macrosfull.png]]		[[Image:3.5_sampler-macrosfull.png]]

Achenar at 15:39, 8 July 2025

2025-07-08T15:39:07Z

← Older revision		Revision as of 15:39, 8 July 2025
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	* The Note-Off layer cannot be used with [[Sampler_Waveform#Slice_Markers\|sliced samples]], since they take control of the Sample List to address the slices. An already sliced sample will simply have the option disabled, while attempting to slice a sample in an instrument using the Note-Off layer will inform you and provide the option to back out.		* The Note-Off layer cannot be used with [[Sampler_Waveform#Slice_Markers\|sliced samples]], since they take control of the Sample List to address the slices. An already sliced sample will simply have the option disabled, while attempting to slice a sample in an instrument using the Note-Off layer will inform you and provide the option to back out.

	* [[Sampler_Waveform#Loop_Controls\|~~sample~~ loops]] are disabled, since there’s no way to stop them and they’d just loop forever during song playback. The loop settings are not removed though, they’re simply not used, in case you want to copy or move the sample elsewhere.		* [[Sampler_Waveform#Loop_Controls\|Sample loops]] are disabled, since there’s no way to stop them and they’d just loop forever during song playback. The loop settings are not removed though, they’re simply not used, in case you want to copy or move the sample elsewhere.

	* The Note-Off layer activation will always use the velocity of the original note, regardless of any changes you make afterwards.		* The Note-Off layer activation will always use the velocity of the original note, regardless of any changes you make afterwards.

Achenar at 15:37, 8 July 2025

2025-07-08T15:37:45Z

← Older revision		Revision as of 15:37, 8 July 2025
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	'''Redux Note:''' [[Redux_main_screen#The_Full_Editor\|Full Editor mode]] is the Redux equivalent of the Renoise Sampler.		'''Redux Note:''' [[Redux_main_screen#The_Full_Editor\|Full Editor mode]] is the Redux equivalent of the Renoise Sampler.

	Renoise ~~has~~ a strong focus on samples ~~(a singular focus in Redux, since it ''only'' uses samples)~~ and at the heart of this is a powerful built-in Sampler for creating and sculpting sounds. An instrument may contain any number of samples and these are listed in the [[#Sample List\|Sample List]] section at the left side of the interface.		Renoise and Redux have a strong focus on samples and at the heart of this is a powerful built-in Sampler for creating and sculpting sounds. An instrument may contain any number of samples and these are listed in the [[#Sample List\|Sample List]] section at the left side of the interface.

	New sounds can be recorded directly into the Sampler from external sources, or created by hand with the simple Draw tool. Existing samples can be imported and any changes made are exclusive to each individual song or instrument. The source samples are never modified unless you explicitly overwrite the file by saving it in the [[Disk Browser]]. Besides being non-destructive, the Sampler also supports endless undo/redo-ing of all your actions.		New sounds can be recorded directly into the Sampler from external sources, or created by hand with the simple Draw tool. Existing samples can be imported and any changes made are exclusive to each individual song or instrument. The source samples are never modified unless you explicitly overwrite the file by saving it in the [[Disk Browser]]. Besides being non-destructive, the Sampler also supports endless undo/redo-ing of all your actions.

	[[~~image~~:3.~~4_sampler~~.png]]		[[Image:3.5_sampler.png]]

	The Sampler is split into five different sections, each devoted to a different aspect of sample-based instrument construction:		The Sampler is split into five different sections, each devoted to a different aspect of sample-based instrument construction:
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	Located at the left, this section provides a list of the instrument's samples and is always accessible, no matter what central section you're working with, allowing you to switch between different samples whenever you wish. To select a sample, left-click on it in the list. This will also show the sample's name, waveform and assigned Modulation/FX sets at the bottom. When a sample is playing, the playback indicator to the left of its name will light up.		Located at the left, this section provides a list of the instrument's samples and is always accessible, no matter what central section you're working with, allowing you to switch between different samples whenever you wish. To select a sample, left-click on it in the list. This will also show the sample's name, waveform and assigned Modulation/FX sets at the bottom. When a sample is playing, the playback indicator to the left of its name will light up.

	[[~~image~~:3.2_sampler-samplelist.png]]		[[Image:3.2_sampler-samplelist.png]]

	=== Selecting Multiple Samples ===		=== Selecting Multiple Samples ===
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	=== Controls ===		=== Controls ===

	* [[Image:3.~~0_sampler~~-delete.png\|text-bottom]] - Delete the selected sample from the list.		* [[Image:3.5_sampler-delete.png\|text-bottom]] - Delete the selected sample from the list.
	* [[Image:3.~~0_sampler~~-insert.png\|text-bottom]] - Insert a new blank sample into the list.		* [[Image:3.5_sampler-insert.png\|text-bottom]] - Insert a new blank sample into the list.
	* [[Image:3.2_sampler-autoselect.png\|text-bottom]] - When enabled, a sample from the list will be automatically selected when it is played on the keyboard or by MIDI.		* [[Image:3.2_sampler-autoselect.png\|text-bottom]] - When enabled, a sample from the list will be automatically selected when it is played on the keyboard or by MIDI.
	* [[Image:3.0_sampler-edit.png\|text-bottom]] - Open the [[Keyzones]] section. Note that the Keyzone range of each sample in the list is displayed to the right of it.		* [[Image:3.0_sampler-edit.png\|text-bottom]] - Open the [[Keyzones]] section. Note that the Keyzone range of each sample in the list is displayed to the right of it.
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	* [[Image:3.0_sampler-edit.png\|text-bottom]] - Open the selected sample in the [[Waveform\|Waveform editor]].		* [[Image:3.0_sampler-edit.png\|text-bottom]] - Open the selected sample in the [[Waveform\|Waveform editor]].

	* [[Image:3.~~1_sampler~~-mod.png\|text-bottom]] - Assign a [[Modulation\|Modulation Set]] to the selected sample. Pressing Edit will open the [[Modulation]] section.		* [[Image:3.5_sampler-mod.png\|text-bottom]] - Assign a [[Modulation\|Modulation Set]] to the selected sample. Pressing Edit will open the [[Modulation]] section.
	* [[Image:3.~~1_sampler~~-fx.png\|text-bottom]] - Assign an [[Effects\|FX Chain]] to the selected sample. Pressing Edit will open the [[Effects]] section.		* [[Image:3.5_sampler-fx.png\|text-bottom]] - Assign an [[Effects\|FX Chain]] to the selected sample. Pressing Edit will open the [[Effects]] section.


	=== Note On/Off Layers ===		=== Note On/Off Layers ===

	Samples can be triggered for either Note-On (key press) or [[Playing_Notes_with_the_Computer_Keyboard#Note_Off\|Note-Off]] (key release) inputs. To move a sample to the [[Keyzones#Note_On.2FOff_Layers\|Note-Off Keyzone layer]], right-click on its name in the Sample List and select ''"Move to 'Note-Off Layer'"''. Use the same method to move samples back to the Note-On layer. When there are samples using the [[Keyzones#Note_On.2FOff_Layers\|Note-Off layer]], tabs will appear at the top of the Sample List allowing you to switch between the layers and view the samples contained within.		Samples can be triggered for either Note-On (key press) or [[Playing_Notes_with_the_Computer_Keyboard#Note_Off\|Note-Off]] (key release) inputs. To move a sample to the [[Keyzones#Note_On.2FOff_Layers\|Note-Off Keyzone layer]], right-click on its name in the Sample List and select ''"Move to 'Note-Off Layer'"''. Use the same method to move samples back to the Note-On layer. When there are samples using the [[Keyzones#Note_On.2FOff_Layers\|Note-Off layer]], tabs will appear at the top of the Sample List allowing you to switch between the layers and view the samples contained within.

			The Note-Off layer has some restrictions that you need to deal with:

			* The Note-Off layer cannot be used with [[Sampler_Waveform#Slice_Markers\|sliced samples]], since they take control of the Sample List to address the slices. An already sliced sample will simply have the option disabled, while attempting to slice a sample in an instrument using the Note-Off layer will inform you and provide the option to back out.

			* [[Sampler_Waveform#Loop_Controls\|sample loops]] are disabled, since there’s no way to stop them and they’d just loop forever during song playback. The loop settings are not removed though, they’re simply not used, in case you want to copy or move the sample elsewhere.

			* The Note-Off layer activation will always use the velocity of the original note, regardless of any changes you make afterwards.

			* A Note-Off sample will only be triggered if a Note-On sample occupying the same Keyzone is still playing. So it’s possible for multiple Note-On samples to trigger the same Note-Off sample simultaneously. Another thing to beware of here is that if the [[Sampler#Sample_Properties\|NNA]] of the Note-On sample is set to Continue and there are multiple notes still playing then this will stack the triggering of the Note-Off sample.


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	Directly under the Sample List, the properties of the currently selected sample(s) are displayed. The [[Image:3.0_downclose.png\|text-bottom]] button at the top right toggles the opening and closing of this section.		Directly under the Sample List, the properties of the currently selected sample(s) are displayed. The [[Image:3.0_downclose.png\|text-bottom]] button at the top right toggles the opening and closing of this section.

	[[image:3.~~2_sampler~~-sampleproperties.png]]		[[image:3.5_sampler-sampleproperties.png]]

	* '''Volume:''' The sample playback volume.		* '''Volume:''' The sample playback volume.
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	* '''Finetune:''' Fine-tuning of the Transpose value.		* '''Finetune:''' Fine-tuning of the Transpose value.

	* '''Beatsync:''' When enabled, the length of sample playback will be automatically changed so that it lasts for the selected amount of [[Tracker_Interface#Lines\|pattern lines]], and this will auto-update to match any changes to the [[Transport Panel\|BPM or LPB]]. This is especially useful for syncing drumbeat loops. As an alternative, you can leave the checkbox disabled and instead press the [[Image:3.~~0_sampler~~-beatsyncT.png\|text-bottom]] button, which will set the Transpose and Finetune values to match the current tempo. Our [https://youtu.be/-GtrYbPm-0U video tutorial] goes into more detail.		* '''Beatsync:''' When enabled, the length of sample playback will be automatically changed so that it lasts for the selected amount of [[Tracker_Interface#Lines\|pattern lines]], and this will auto-update to match any changes to the [[Transport Panel\|BPM or LPB]]. This is especially useful for syncing drumbeat loops. As an alternative, you can leave the checkbox disabled and instead press the [[Image:3.5_sampler-beatsyncT.png\|text-bottom]] button, which will set the Transpose and Finetune values to match the current tempo. Our [https://youtu.be/-GtrYbPm-0U video tutorial] goes into more detail.
	* '''Mode:''' When Beatsync is enabled, you can choose how this affects the sample playback from the following three methods:		* '''Mode:''' When Beatsync is enabled, you can choose how this affects the sample playback from the following three methods:
	** '''Repitch:''' The sample is 'locked' at the pitch that matches the song’s tempo and you will be unable to use it at other pitches. This also disables the Transpose and Finetune parameters.		** '''Repitch:''' The sample is 'locked' at the pitch that matches the song’s tempo and you will be unable to use it at other pitches. This also disables the Transpose and Finetune parameters.
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	** '''Time-Stretch (Texture):''' The sample can be played at any pitch via time-stretching, with a priority for preserving tonal accuracy, making it ideal for textures.		** '''Time-Stretch (Texture):''' The sample can be played at any pitch via time-stretching, with a priority for preserving tonal accuracy, making it ideal for textures.

	* '''Trigger:''' When One-Shot is enabled, [[Playing_Notes_with_the_Computer_Keyboard#Note_Off\|Note-Off (key release)]] messages are ignored and the sample continues playing. This is incredibly useful for triggering samples from external hardware that is not traditionally 'held down' ''e.g. drum pads''.		* '''Trigger:''' When One-Shot is enabled, [[Playing_Notes_with_the_Computer_Keyboard#Note_Off\|Note-Off (key release)]] messages are ignored and the sample continues playing. This will disable any sample loop, but is incredibly useful for triggering samples from external hardware that is not traditionally 'held down' ''e.g. drum pads''.
	* '''Loop Finish:''' Toggles whether a sample will instantly stop or finish its current loop after a [[Playing_Notes_with_the_Computer_Keyboard#Note_Off\|Note-Off]] input.		* '''Loop Finish:''' Toggles whether a sample will instantly stop or finish its current loop after a [[Playing_Notes_with_the_Computer_Keyboard#Note_Off\|Note-Off]] input.
	* '''Loop Type:''' When looping is enabled by selecting a loop type from the menu, start and end points are inserted into the [[Waveform]], causing playback to loop between them. The loop points can be moved by click-dragging their tabs at the top/bottom of the waveform.		* '''Loop Type:''' When looping is enabled by selecting a loop type from the menu, start and end points are inserted into the [[Waveform]], causing playback to loop between them. The loop points can be moved by click-dragging their tabs at the top/bottom of the waveform.
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	You may find it useful to watch our [https://youtu.be/7bXxROQAPhE video on this subject].		You may find it useful to watch our [https://youtu.be/7bXxROQAPhE video on this subject].

	[[Image:3.~~2_sampler~~-macrosfull.png]]		[[Image:3.5_sampler-macrosfull.png]]

	Pressing the [[Image:3.2_sampler-macros.png\|text-bottom]] button at the top left of the interface will open a panel with eight macros, each of which can be assigned to multiple parameters. To map a macro, press the [[Image:3.2_sampler-macrosmap.png\|text-bottom]] button next to it. This opens the mappings list and highlights any mappable parameters (shown here as green, but the highlighted colour may vary according to the [[Preferences#Theme\|current interface Theme]]). Clicking on a parameter will add it to the list and allow you to specify its Min/Max values and Scaling. Now altering the value of a macro will change the values of all assigned parameters.		Pressing the [[Image:3.2_sampler-macros.png\|text-bottom]] button at the top left of the interface will open a panel with eight macros, each of which can be assigned to multiple parameters. To map a macro, press the [[Image:3.2_sampler-macrosmap.png\|text-bottom]] button next to it. This opens the mappings list and highlights any mappable parameters (shown here as green, but the highlighted colour may vary according to the [[Preferences#Theme\|current interface Theme]]). Clicking on a parameter will add it to the list and allow you to specify its Min/Max values and Scaling. Now altering the value of a macro will change the values of all assigned parameters.

Achenar at 10:15, 22 March 2022

2022-03-22T10:15:41Z

← Older revision		Revision as of 10:15, 22 March 2022
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	New sounds can be recorded directly into the Sampler from external sources, or created by hand with the simple Draw tool. Existing samples can be imported and any changes made are exclusive to each individual song or instrument. The source samples are never modified unless you explicitly overwrite the file by saving it in the [[Disk Browser]]. Besides being non-destructive, the Sampler also supports endless undo/redo-ing of all your actions.		New sounds can be recorded directly into the Sampler from external sources, or created by hand with the simple Draw tool. Existing samples can be imported and any changes made are exclusive to each individual song or instrument. The source samples are never modified unless you explicitly overwrite the file by saving it in the [[Disk Browser]]. Besides being non-destructive, the Sampler also supports endless undo/redo-ing of all your actions.

	[[image:3.~~2_sampler~~.png]]		[[image:3.4_sampler.png]]

	The Sampler is split into five different sections, each devoted to a different aspect of sample-based instrument construction:		The Sampler is split into five different sections, each devoted to a different aspect of sample-based instrument construction:

Achenar at 18:29, 17 March 2022

2022-03-17T18:29:43Z

← Older revision		Revision as of 18:29, 17 March 2022
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	[[Image:3.2_sampler-macrosfull.png]]		[[Image:3.2_sampler-macrosfull.png]]

	Pressing the [[Image:3.2_sampler-macros.png\|text-bottom]] button at the top left of the interface will open a panel with eight macros, each of which can be assigned to multiple parameters. To map a macro, press the [[Image:3.2_sampler-macrosmap.png\|text-bottom]] button next to it. This opens the mappings list and highlights any mappable parameters (shown here as ~~red~~, but the highlighted colour may vary according to the [[Preferences#Theme\|current interface Theme]]). Clicking on a parameter will add it to the list and allow you to specify its Min/Max values and Scaling. Now altering the value of a macro will change the values of all assigned parameters.		Pressing the [[Image:3.2_sampler-macros.png\|text-bottom]] button at the top left of the interface will open a panel with eight macros, each of which can be assigned to multiple parameters. To map a macro, press the [[Image:3.2_sampler-macrosmap.png\|text-bottom]] button next to it. This opens the mappings list and highlights any mappable parameters (shown here as green, but the highlighted colour may vary according to the [[Preferences#Theme\|current interface Theme]]). Clicking on a parameter will add it to the list and allow you to specify its Min/Max values and Scaling. Now altering the value of a macro will change the values of all assigned parameters.

	Clicking the X at the right of a mapping will delete it. Closing the mappings list removes the parameter highlighting and returns the interface to normal again. To rename a macro, just click on its name and type one in, finishing with Enter.		Clicking the X at the right of a mapping will delete it. Closing the mappings list removes the parameter highlighting and returns the interface to normal again. To rename a macro, just click on its name and type one in, finishing with Enter.

Achenar at 17:38, 12 October 2021

2021-10-12T17:38:56Z

← Older revision		Revision as of 17:38, 12 October 2021
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	* '''Finetune:''' Fine-tuning of the Transpose value.		* '''Finetune:''' Fine-tuning of the Transpose value.

	* '''Beatsync:''' When enabled, the length of sample playback will be automatically changed so that it lasts for the selected amount of [[Tracker_Interface#Lines\|pattern lines]], and this will auto-update to match any changes to the [[Transport Panel\|BPM or LPB]]. This is especially useful for syncing drumbeat loops. As an alternative, you can leave the checkbox disabled and instead press the [[Image:3.0_sampler-beatsyncT.png\|text-bottom]] button, which will set the Transpose and Finetune values to match the current tempo.		* '''Beatsync:''' When enabled, the length of sample playback will be automatically changed so that it lasts for the selected amount of [[Tracker_Interface#Lines\|pattern lines]], and this will auto-update to match any changes to the [[Transport Panel\|BPM or LPB]]. This is especially useful for syncing drumbeat loops. As an alternative, you can leave the checkbox disabled and instead press the [[Image:3.0_sampler-beatsyncT.png\|text-bottom]] button, which will set the Transpose and Finetune values to match the current tempo. Our [https://youtu.be/-GtrYbPm-0U video tutorial] goes into more detail.
	* '''Mode:''' When Beatsync is enabled, you can choose how this affects the sample playback from the following three methods:		* '''Mode:''' When Beatsync is enabled, you can choose how this affects the sample playback from the following three methods:
	** '''Repitch:''' The sample is 'locked' at the pitch that matches the song’s tempo and you will be unable to use it at other pitches. This also disables the Transpose and Finetune parameters.		** '''Repitch:''' The sample is 'locked' at the pitch that matches the song’s tempo and you will be unable to use it at other pitches. This also disables the Transpose and Finetune parameters.

Achenar at 17:03, 21 June 2021

2021-06-21T17:03:30Z

← Older revision		Revision as of 17:03, 21 June 2021
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	** '''Autoseek:''' During song playback, a sample is normally only heard once it has been triggered by reaching its position in the [[Pattern_Editor\|pattern]]. Enabling Autoseek allows the sample to be heard at any point during song playback without the need for triggering. Highly recommended for vocals, background ambience and other lengthy recorded audio.		** '''Autoseek:''' During song playback, a sample is normally only heard once it has been triggered by reaching its position in the [[Pattern_Editor\|pattern]]. Enabling Autoseek allows the sample to be heard at any point during song playback without the need for triggering. Highly recommended for vocals, background ambience and other lengthy recorded audio.

	* '''Interpolation:''' The quality of re-sampling used when samples are played at pitches other than the original. ''"Cubic"'' is an excellent default interpolation, offering the best ratio of sound quality and CPU usage. ''"Sinc"'' is more precise but requires more CPU power, while ''"Linear"'' is the opposite and sounds rougher when played at lower pitches. Set to ''"None"'', samples will sound a bit more metallic and rough, which can be good if that's the kind of sound you're after and is also useful when creating wave-table generators with very short sample loops.		* '''Interpolation'''
	** '''Anti-aliasing:''' When enabled, interpolation is oversampled and band-limited. This helps to reduce aliasing noise, especially when using wavetable-like waveforms that are not multi-sampled. This increases CPU usage.		** '''Anti-aliasing:''' When enabled, interpolation is oversampled and band-limited. This helps to reduce aliasing noise, especially when using wavetable-like waveforms that are not multi-sampled. This increases CPU usage.
			** '''Quality:''' The quality of re-sampling used when samples are played at pitches other than the original. ''"Cubic"'' is an excellent default interpolation, offering the best ratio of sound quality and CPU usage. ''"Sinc"'' is more precise but requires more CPU power, while ''"Linear"'' is the opposite and sounds rougher when played at lower pitches. Set to ''"None"'', samples will sound a bit more metallic and rough, which can be good if that's the kind of sound you're after and is also useful when creating wave-table generators with very short sample loops.


	== Macros ==		== Macros ==

Achenar at 16:54, 21 June 2021

2021-06-21T16:54:45Z

← Older revision		Revision as of 16:54, 21 June 2021
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	** '''Autoseek:''' During song playback, a sample is normally only heard once it has been triggered by reaching its position in the [[Pattern_Editor\|pattern]]. Enabling Autoseek allows the sample to be heard at any point during song playback without the need for triggering. Highly recommended for vocals, background ambience and other lengthy recorded audio.		** '''Autoseek:''' During song playback, a sample is normally only heard once it has been triggered by reaching its position in the [[Pattern_Editor\|pattern]]. Enabling Autoseek allows the sample to be heard at any point during song playback without the need for triggering. Highly recommended for vocals, background ambience and other lengthy recorded audio.

	* '''Interpolation:''' The quality of re-sampling used when samples are played at pitches other than the original. ''"Cubic"'' is an excellent default interpolation, offering the best ratio ~~between~~ sound quality and CPU usage. ''"Sinc"'' is more precise but requires more CPU power, while ''"Linear"'' is the opposite and sounds rougher when played at lower pitches. Set to ''"None"'', samples will sound a bit more metallic and rough, which can be good if that's the kind of sound you're after and is also useful when creating wave-table generators with very short sample loops.		* '''Interpolation:''' The quality of re-sampling used when samples are played at pitches other than the original. ''"Cubic"'' is an excellent default interpolation, offering the best ratio of sound quality and CPU usage. ''"Sinc"'' is more precise but requires more CPU power, while ''"Linear"'' is the opposite and sounds rougher when played at lower pitches. Set to ''"None"'', samples will sound a bit more metallic and rough, which can be good if that's the kind of sound you're after and is also useful when creating wave-table generators with very short sample loops.
	** '''Anti-aliasing:''' When enabled, interpolation is oversampled and band-limited. This helps to reduce aliasing noise, especially when using wavetable-like waveforms that are not multi-sampled. This increases CPU usage.		** '''Anti-aliasing:''' When enabled, interpolation is oversampled and band-limited. This helps to reduce aliasing noise, especially when using wavetable-like waveforms that are not multi-sampled. This increases CPU usage.